Cheka Katenen Dioubate is a Guinean griot whose work description includes storyteller, historian, poet, praise and musician singer.
Griots are main to your maintenance of Mande traditions in western Africa. Serving as a full time income archive, they truly are keepers and vocalists of this history that is oral tradition for the individuals, doing at marriages, funerals along with other rites of passage. Dioubate brings to the level a effective voice and commanding existence, as befits the griot whom must act as intermediary between generations of her ancestors along with her living market.
Our last stay in this incomplete concert preview is Ethiopia, as represented because of the tracks of Netsanet Mellesse. This singer has a recording that is impressive catalogue, having produced conventional Ethiopian, pop music and gospel records home. Certainly one of Ethiopia’s krar players that are finest and composers Fantahun Shewankochew Mekonnen will come with Mellesse in the Alliance Francaise.
Vusi Mahlasela and Hugh Masekela : this is simply not Batuki musical Society’s just presentation that is big thirty days
On February 28, in colaboration with Koerner Hall, they co-present “Vusi Mahlasela and Hugh Masekela: two decades of Freedom.” This concert is billed as “freedom tracks honouring two decades of democracy in Southern Africa additionally the end that is official of” and headlines the trumpeter, singer and composer Masekela and singer/songwriter Mahlasela.
The award-winning Mahlasela, referred to as Voice in the house nation, is celebrated for their distinct, effective sound along with his poetic words. He has got released seven studio records on Sony and caused many worldwide recording movie stars. His tracks of hope with themes of fight for freedom, but additionally forgiveness and reconciliation with enemies, motivated many within the movement that is anti-apartheid.
The world-renowned multifaceted musician and defiant political voice, is still going strong in his eighth decade, Masekela. Credited among the founders of globe fusion music, their international job started within the Southern Africa associated with the 1950s with stylist origins which tapped into jazz (ragtime, jive, swing, doo-wop, bop), musicals and pop music, also numerous African genres including mbaqanga, South African music with rural Zulu origins. His team, the Jazz Epistles, circulated the initial jazz that is african in 1959, followed closely by 40 more records over their job. Their 1986 anti-apartheid anthem Bring Home Nelson Mandela (1986) had been an motivation and rallying cry round the globe at that time. After years in exile, after the launch of Nelson Mandela from jail in 1990, Masekela gone back to are now living in Southern Africa. It might very well be regarding the Koerner Hall system celebrating two decades of Southern Africa’s democracy.
February 6 The Royal Conservatory’s World Music series gifts Pavlo and his musical organization at Koerner Hall. The Toronto indigenous with two Juno Award nominations whom passes a name that is single Pavlo might have created the word “Mediterranean electric electric guitar sound” for their make of music, but also for their present tour Pavlo integrates “exotic instruments,” because the promotion records. His fans can get Pavlo’s signature noise with acoustic Spanish electric guitar upfront within the mix, but additionally infused with Chinese erhu, Portuguese guitarra, Arabic ney, Indian sitar and Greek bouzouki.
Also February 6 the tiny World Music Centre’s nevertheless brand brand new theatre that is intimate undertaking its very first assessment, rescheduled from a year ago. The Stirring of one thousand Bells (2014) by growing US filmmaker Matthew Dunning is an experimental documentary comprising two videos using the market on a kaleidoscopic artistic and musical trip of life in Surakarta, a town in Java, Indonesia. It features footage of its centuries-old royal court gamelan music and party tradition, nevertheless vital today. a real time music concert “Imaginary Soundtrack for Ambient Worlds: Indonesia fulfills Canada” by the Andrew Timar and Bill Parsons Duo, playing Indonesian kacapi and suling, will start this system. (Yes I’m that Andrew Timar).
February 8, the Flato Markham Theatre market will undoubtedly be in for a delicacy – a concert that showcases two generations of just one family members with a proud musical lineage, encompassing a few asian dating strands of globe music. Amjad Ali Khan, the famous veteran maestro for the sarod (Hindustani plucked lute) is accompanied by their sarod-playing sons Amaan and Ayaan Ali Khan because of this uncommon three sarod concert. Billed as “The Sarod Project,” percussionists Issa Malluf (Arabic/Middle Eastern percussion) and ace Toronto tabla player Vineet Vyas get in on the soloists.
Hindustani music is obviously Khan’s forte however in the very first set he will demonstrate their affinity for a straight wider sweep of musical geography, which range from different parts of India to your center East. Their sons Amaan and Ayaan will likely then show their old-fashioned Hindustani music cred by performing a raga become established during the hallway, exemplifying the living tradition which has been handed down from dad to son for a couple of generations “Music may be the wealth that is greatest within our family members,” confirmed Amjad Ali Khan.
13 and 14 the Aga Khan Museum in partnership with the Aga Khan Music Initiative presents “Wu Man and the Sanubar Tursun Ensemble” at the AKM auditorium february. This multicultural conference of this Chinese pipa virtuoso Wu Man and also the celebrated Uyghur singer Sanubar Tursun, explore ancient cultural links between Chinese and main Asian music traditions. Wu guy, who has got numerous Grammy Award nominations plus the 1999 City of Toronto Glenn Gould Protйgй Prize to her credit, is really a collaboration veteran that is cross-cultural. She’s worked extensively aided by the Kronos Quartet and Yo-Yo Ma’s Silk path venture, among a few others. Sanubar Tursun, who has got become an iconic Uyghur social figure, employs her delicate, sensuous yet additionally athletic vocals in renditions of traditional muqam and people tracks. The soloists are associated with an ensemble of Uyghur performers.
If these concerts are any indicator, it guarantees become an abundant and musically eventful February.
Andrew Timar is just a Toronto musician and music journalist. They can be contacted at firstname.lastname@example.org.
Autorickshaw Tours Southern Asia
My final line, showcasing the songs development in the Aga Khan Museum, noted the concert look of Toronto’s group that is award-winning at the AKM auditorium on November 15. we attended the show to have a summary of these repertoire that is current array of which will be wide while the boundaries fluid.
Along with plans of Southern Indian classical and folk songs, original songs and figures according to tala maxims (overlapping Carnatic solkattu and Hindustani tabla bols) alternated with good-humoured ironic assumes on 1970s Bollywood hit movie tracks. “Autorickshawified” hybrid adaptations of tracks by Joni Mitchell and Leonard Cohen – “Bird on a Wire” rendered in a relaxed 7/4 – and also the jazz standard “Caravan” had been among my own favourites. The heart of the group, claimed front stage centre for most of the concert, the skilled band comprised of Dylan Bell (bass/keyboards/beatboxing), Ed Hanley (tabla), with Ben Riley (drum set) and John Gzowski (guitar) stepping in for the night, shone in solos while vivacious vocalist Suba Sankaran. “Caravan” had been a rollicking instance.
Well into Autorickshaw’s 2nd ten years of genre-blending musicking, summing up its repertoire, that is very often multi-genre and transnational in reach, just isn’t an effortless undertaking; particularly so for a persnickety listener anything like me. Autorickshaw’s site however helpfully weighs in, situating its music “on the cultural leading edge, as modern jazz, funk and people effortlessly rub arms with all the traditional and popular music of Asia.”
That declaration makes such hybridization sound like a simple reach. It’s anything but. Whoever has seriously attempted it, or paid attention to fusion experiments where genres from around the globe “easily rub arms,” knows just exactly exactly how effortless it really is to don’t satisfy musical expectations – as well as multiple reasons. Plus its probably the most hard kinds of musical alchemy to effectively pull off and gracefully. Having persevered as an organization for a dozen years Autorickshaw is evidence that diligent work with the song that is transcultural will pay down. Within their instance it’s been rewarded with two JUNO nominations for World musical Album of the season additionally the 2005 Independent Music that is canadian Award. In 2008 these were granted the John Lennon Songwriting Competition Grand Prize in World musical, as well as the CAPACOA Touring Artist of the season.